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  • Profile – Antony Gormley
    Antony Gormley is widely acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space His work has developed the potential opened up by sculpture since the 1960s through a critical engagement with both his own body and those of others in a way that confronts fundamental questions
  • Antony Gormley
    Collaboration between Antony Gormley and Tadao Ando opens at Museum SAN, 20 June 2025
  • Sculpture Overview - Antony Gormley
    Three Ways: Mould Hole And Passage, 1981 Three Bodies, 1981 Natural Selection, 1981
  • Witness: Early Lead Works – Exhibitions – Antony Gormley
    Representing a major breakthrough in the development of Antony Gormley’s visual language, the early lead works – initiated in the mid-1970s, and developed amid the protracted geopolitical tensions of the Cold War – stand among the most iconic of the artist’s career
  • How It Is – Texts – Antony Gormley
    In the late 1980s Antony started to make ‘double’ works, one of which, Mountain and Sea (1987–88), was cast from a mould of Antony holding a plaster mould of himself Then, as a result of the Covid lockdowns, he returned to the ‘doubles’, using different means to form them
  • Witness, published by White Cube – News – Antony Gormley
    Featuring new writing from Jorella Andrews and Susan May, a conversation between Gormley and Lucia Pietroiusti and historical texts by the artist, the publication reintroduces audiences to Gormley's seminal early sculptures in lead
  • Such Stuff As Dreams Are Made On - The Work Of Antony Gormley
    After making sculptures formed from objects for some years himself, and at a time when work made from discarded urban objects and utensils was at the height of critical fashion, Antony Gormley decided to make the human figure the principal subject of his work
  • What Sculpture Wants: Placing Antony Gormley
    Antony Gormley’s sculpture constitutes a profound reflection on sculpture and place, understood in the broadest possible sense ‘Place’ includes both physical and institutional sites, the cultural location of sculpture among the arts and media as well as its placement in real space
  • New collaboration with Simon Armitage opens at Trinity College . . .
    Standing next to Trinity College’s Stuart Gates is a rusted cast iron door designed by Antony Gormley and featuring a poem by Honorary Fellow of Trinity College and UK Poet Laureate, Simon Armitage
  • Another Place – Permanent Sculpture - Antony Gormley
    Antony Gormley Another Place , 1997, cast iron, 100 elements, each 189 × 53 × 29 cm Permanent installation, Crosby Beach, Merseyside, England Photograph by Stephen White, London





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