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  • Maestà (Duccio) - Wikipedia
    The Maestà, or Maestà of Duccio, is an altarpiece composed of many individual paintings commissioned by the city of Siena in Tuscany in 1308 from the artist Duccio di Buoninsegna [1] and is his major work [2] Duccio's Maestà was the first altarpiece to have both a front and back side [3] The front panels make up a large enthroned Madonna and Child with saints and angels, and a predella of
  • Maestà | Byzantine art, Siena Cathedral, 1311 | Britannica
    Maestà, double-sided altarpieces executed for the cathedral of Siena by the Italian painter Duccio The first version (1302), originally in the Palazzo Pubblico in Siena, is now lost The second version (1308–11), painted for the cathedral of Siena and one of the largest altarpieces of its time, consisted of a wide central panel with the Virgin and Child adored by the patrons of Siena and
  • Maestà by Duccio, one of his most famous paintings
    Duccio's Maestà was a highly ambitious series of paintings completed in the early 14th century The main component pictures an enthroned Madonna and Child with saints and angels, with the artist providing many more supporting artworks as part of a complex altarpiece design
  • Smarthistory – Duccio, Maestà
    Duccio, Maestà, 1308–11 (Museo dell’Opera Metropolitana del Duomo, Siena) During this period, and for hundreds of years, Italy was not a unified country, but rather was divided into many small countries we call city-states
  • The Maestà (1308-11) - Web Gallery of Art
    Duccio's famous Maestà was commissioned by the Siena Cathedral in 1308 and it was completed in 1311 Today most of this elaborate double-sided altarpiece is in the cathedral museum but several of the predella panels are scattered outside Italy in various museums
  • Duccio, Maesta – Renaissance Through Contemporary Art History
    Duccio, Maesta The works of Duccio di Buoninsenga (active c 1278-1318) are the supreme examples of fourteenth-century Sienese art His most famous commission, the immense altarpiece called the Maestà (Virgin Enthroned in Majesty) replaced a much smaller painting of the Virgin Mary on the high altar of Siena Cathedral The Sienese believed
  • The Meanings of Duccio’s Maestà: Architecture, Painting, Politics, and . . .
    Duccio’s Maestà, made between 1308 and 1311 for the high altar of Siena Cathedral, is one of the best-known works of medieval painting Astoundingly complex, with dozens of individual fields and several narrative cycles, it measured around 15 feet or four meters square It was, and long remained, the largest panel painting ever made But why did its designers reach so far outside the bounds
  • Duccio di Buoninsegna, Maesta Altarpiece - Traveling in Tuscany
    Duccio di Buoninsegna, Maesta Altarpiece, about 1308-1311, gold and tempera on panel, 370 x 450 cm, Siena, Museo dell'Opera del Duomo
  • The Maestà of Duccio - Italy On This Day
    Determined to clear their names, they try to find out who was really responsible for the prank But after more bizarre events, a grim discovery in the library leaves villagers in a state of shock, prompting the Library Ladies to conduct their own investigation to make sure the real culprit is exposed and life in the peaceful village of Upper Mickle can return to normal
  • Additional Analysis of Duccio’s Maestà – Siena
    Elise Tangedal The Maestà was painted by Duccio, one of the most influential Sienese artists, in 1308 The original altarpiece was enormous: it was originally sixteen feet wide1 In modern times, it has been mostly taken apart, but the section showing the Virgin Mary and Jesus is still very large, about 7 by 13…
  • Maestà - Wikipedia
    On the back of the Maesta were episodes from the life of Christ, focusing on his Passion Sacred narrative unfolds in elegant episodes enacted by graceful figures who seem to dance their way through these stories while still conveying emotional content
  • Duccio, Maesta | Art History II - Lumen Learning
    Duccio, Maesta During this period, and for hundreds of years, Italy was not a unified country, but rather was divided into many small countries we call city-states Florence, Siena, Milan, Venice—these were essentially independent nations with their own governments—and they were at war with each other
  • Duccios Maestà - (Art History I - Fiveable
    Duccio's Maestà is a renowned altarpiece created by the Sienese painter Duccio di Buoninsegna around 1308-1311, depicting the Virgin Mary enthroned with the Christ Child, surrounded by saints and angels This work marks a significant moment in the evolution of Italian painting, showcasing a blend of Gothic elegance and emerging naturalism that influenced both the Sienese School and the
  • The meaning of Maestá by Duccio – Platos Mirror
    Maestá by Duccio is a remarkable masterpiece of the late Medieval period, showcasing the profound spirituality and artistic excellence of the era The painting, which dates back to the early 14th century, depicts the Virgin Mary seated on a majestic throne, surrounded by various saints, angels, and scenes from the life of Christ The elegant…
  • The Meanings of Duccios Maesta: Architecture, Painting, Politics, and . . .
    Duccio's Maesta, made between 1308 and 1311 for the high altar of Siena Cathedral, is one of the best-known works of medieval painting Astoundingly complex, with dozens of individual fields and several narrative cycles, it measured around 15 feet or four meters square





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