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  • Marcel Duchamp and the Readymade - MoMA
    Marcel Duchamp was a pioneer of Dada, a movement that questioned long-held assumptions about what art should be, and how it should be made In the years immediately preceding World War I, Duchamp found success as a painter in Paris
  • Duchamp and Dada Gallery - MoMA
    Duchamp and Dada Gallery 18 works online Marcel Duchamp Why Not Sneeze Rose Sélavy? 1964 (replica of 1921 original) On view Gallery 408
  • Dada - MoMA
    Dada artists experimented with a range of mediums, from collage and photomontage to everyday objects and performance, exploding typical concepts of how art should be made and viewed and what materials could be used An international movement born in neutral Zurich and New York, Dada rapidly spread to Berlin, Cologne, Hannover, Paris, and beyond
  • Marcel Duchamp - MoMA
    When Marcel Duchamp created his most famous work—the industrially produced urinal Fountain —it was largely ignored “Of course, it had to be scandalous,” Duchamp later recalled of his readymade, but its provocation went deeper than a cheap bit of toilet humor 1 Fountain was the high point of Duchamp’s campaign to dismantle and expand the boundaries of what constitutes a work of art
  • Chance Creations: Collage, Photomontage, and Assemblage - MoMA
    Marcel Duchamp and the Readymade Artistic Collaboration Want to dive deeper into the world of modern art? Explore art and design through place, identity, everyday objects, and more
  • Marcel Duchamp Bicycle Wheel New York, 1951 (third version . . . - MoMA
    Though Bicycle Wheel predates Marcel Duchamp’s use of the word “ readymade ”—a term he coined after moving from Paris to New York in 1915—it is the earliest example of this class of groundbreaking artworks Like most of Duchamp’s existing readymades, MoMA’s Bicycle Wheel is a later version of an earlier creation, made for a 1951 exhibition at the Sidney Janis Gallery in New York
  • Marcel Duchamp - MoMA
    Exhibition Apr 12–Aug 22, 2026 “Why is this art?” is a question often asked by viewers of contemporary art It is virtually impossible to answer it without referring to the work of Marcel Duchamp (1887–1968) Over a six-decade career, Duchamp challenged the very definition of the artwork, ushering in a new era of creative license—the reverberations of which are still felt today
  • Participation and Audience Involvement - MoMA
    Participation and Audience Involvement Media and performance art Performing for the Camera Participation and Audience Involvement Performing Identities Expanded Choreography Marcel Duchamp, a pioneering artist and leading figure in the Dada movement, argued that both the artist and the viewer are necessary for the completion of a work of art
  • Marcel Duchamp, Sidney Janis. Poster for a Dada exhibition at . . . - MoMA
    Marcel Duchamp, Sidney Janis Poster for a Dada exhibition at Sidney Janis Gallery 1953 Not on view





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