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  • Alexa XT SXT Sensor Size Confusion - ARRI - Cinematography. com
    I'm doing a little format research and comparing film to digital sensors I'm struggling to match things up with the Alexa XT SXT sensor According to Arri (alexa sensors) The camera's custom developed CMOS Bayer sensor has the same height and width as a 35mm film frame This has a number of adv
  • Arri Standard vs Bayonet mount for Wide Angle lenses
    Currently shopping for a wide angle lens, probably the 5 9 mm angenieux, and I am wondering if it is a huge advantage to have the b mount over the s mount for these smaller lenses I understand the b mount is more stable especially with big heavy zooms but with a lighter lens will it be a big dif
  • Blackmagic to Arri Rec709 LUTs byBoz™ - DaVinci Resolve
    I recently created an all new set of Blackmagic to Arri Alexa Rec709 LUTs and thought that it might be of interest to some users So here we are ? Mathematically accurate Blackmagic Film RAW BRAW to Arri Rec709 color space transform LUTs for ALL Blackmagic Cinema Cameras and Color Science Firmwar
  • Century Precision Optics Nikon F lens to Arri PL mount 1. 4x extender . . .
    Century Precision Optics Arri Nikon 1 4x Extender One of the nicest cleanest expanders I have ever used Compatible with every Nikon Ai or Ais lens I've tested it with, including third party manufacturers like Tokina The adapter has a very shallow rear element meaning it can be used on all digital and film cameras with an Arri PL mount
  • Arriflex cameras - ARRI - Cinematography. com
    I've always wanted a real film camera or two Information about older cameras is hard to find but after digging a bit, it looks like a couple good ones in my budget are the Arriflex 35 BL3 and the Arriflex 35 III Wikipedia doesn't mention anything except by saying that the II series was supersed
  • ARRI Alexa 35 - Cinematography News - Cinematography. com
    ARRI’s discussions with filmmakers and careful review of the image pipeline have led to significant image quality enhancements and a faster, easier workflow REVEAL Color Science is a suite of new image processing steps used by ALEXA 35 internally and also available through leading third-party postproduction tools for ARRIRAW processing
  • Can anyone point to whether Arri is actually struggling financially . . .
    Arri for better or worse, has forced the other brands into territories nobody expected them to be in and Arri themselves, haven't dramatically innovated Sure the Alexa 35 is a stellar camera, with wonderful color science and an imager which has fantastic dynamic range, but so is the Venice II and Burano So is the Red V-Raptor
  • Arriflex 16S, S B, M, M B, BL Pricing - ARRI - Cinematography. com
    But an Arri 16S uses a slightly smaller registration pin that doesn’t fully fill the perf height, so it makes sense to have it minutely advance the film each time it enters, as Tim describes, essentially using the lower surface of the perf for registration Noise wasn’t an issue for these cameras
  • dilemma!! arri 16 st or bolex h16 rex5. . give me an advice!
    The Arri has a registration pin for a much steadier picture It employs a rotating mirror instead of the reflex system on the Bolex which uses a beam splitter that sends a certain portion of the light entering the camera to the viewfinder, robbing that light from your exposure
  • Arri Scan XT vs Lasergraphic scanstation 6. 5K
    Dear fellow cinematographers, As a cinematographer living in Amsterdam we have two labs close by One of them is scanning with Arri Scan XT DPX files in 2 or 4K, the other one is Scanning with the Lasergraphic Scanstation 6 5K in 4K in pro res 444 or DPX I am scanning 16mm 250D, so also not sure





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