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  • John Marston Criticism: Dreams, Innovation and Technique . . .
    By the time Marston was writing The Malcontent, however, he saw that dance could be employed not merely as satire but also as a metaphor of the viciousness of Aurelia and Mendoza's court—the
  • Antonios Revenge - ReadTheory
    In the first paragraph, the author writes, “A play brimming with linguistic superfluity and spectacular gore, John Marston’s Antonio’s Revenge (1599) has been portrayed by critics as everything from a brilliant burlesque of revenge tragedies to a grotesquely overwrought literary disaster ”
  • John Marston: Provoking the Audience | SpringerLink
    In T S Eliot’s influential 1934 essay on John Marston, he writes of his ‘bewilderment’ at Marston’s Antonio plays: A blockhead could not have written them; a painstaking blockhead would have done better; and a careless master,
  • The Drama of John Marston: Critical Re-Visions - Google Books
    This volume's essays, the themes of which coincide both in contemporary currents in literary theory and criticism and in the plays of John Marston, reveal at every turn the full extent of his
  • Marstonian Authorship: The Poems, Plays, and Masque
    Rather, Marston’s authorship is salient for transposing a distinctive Elysian brand of sublime satire from the poems to the plays and for scripting their generic interpenetration as a new form of English freedom
  • John Marston and the Revolution at Paul’s Playhouse (1599 . . .
    This article argues that Marston’s shift from writing satirical verse to composing plays for the opening of Paul’s playhouse in 1599 occasioned more than a simple transference of satire from one medium to another
  • John Marston Criticism: Marstons Accomplishment - R. W . . .
    Ideas, themes, situations, words, were not private properties: "However jealously individual plays might be guarded by companies, there was no property in the rapidly-developing dramatic art of





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