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  • Epilogue: Decolonising Disco— Counterculture, Postindustrial . . .
    Epilogue: Decolonising Disco— Counterculture, Postindustrial Creativity, the 1970s Dance Floor and Disco Epilogue: Decolonising Disco— Counterculture, Postindustrial Creativity, the 1970s Dance Floor and Disco
  • What Has Become of Postmodern Dance? - JSTOR
    In one sense, everything about our current first-world, post-industrial, mass-media culture is postmodern If this is the age of postmodernism, can we talk about current dance without considering all of it postmodern?
  • HIP HOP HISTORY: FROM THE STREETS TO THE MAINSTREAM - KID Museum
    HIP HOP CULTURE ORIGINS Hip hop is a subculture and an art movement that emerged from the Bronx in New York City during the early 1970s Its development reflected the negative effects of post-industrial decline, political discourse, and a rapidly changing economy Looking back to New York City during this era, we see an economic collapse
  • University of Groningen Techno-tourism and post-industrial . . .
    These are the techno-tourists of Berlin, primarily young music fans who return repeatedly to take in – and to participate in – the city’s electronic dance music (EDM) scenes 2 Every weekend, thousands of tourists come to Berlin, immerse themselves in the ‘hip’, alternative, post-industrial atmospheres of the city and trace a circuit through the city’s nightclubs, leaving behind
  • 1970s DISCO HUSTLE - Stanford University
    Proportion of 1970s Disco steps described in 35 Disco books, 1976-1980 Note: The names of these steps weren’t standardized For instance, what most people called Latin Hustle was also known as The Hustle, Latin Swing, New York Hustle, 6-Step Hustle and Manhattan Spanish Hustle
  • Decolonized Imagination: Modernity and Modern Dance in 1970s . . .
    The result was the elimination of various de facto Japanese and American markers in cultural production within the socio-cultural complexity of modernity and post-colonial discourse What makes such erasure in modern dance so compelling is that it reveals the historical love-hate relationships between Taiwan, Japan, China and the U S
  • Diacronie, N° 53, 1 | 2023 - OpenEdition Journals
    Andrea Milia, «Flora PITROLO, Marko ZUBAK (ed ), Global Dance Cultures in the 1970s and 1980s Disco Heterotopias», Diacronie [Online], N° 53, 1 | 2023, documento 20, online dal 29 mars 2023, consultato il 29 octobre 2025





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